Christine Keeler IS Grizabella

7 12 2013

Something rather different today.

Christine Keeler musical

I have always been a fan of Andrew Lloyd Webber’s. However, it seems to me – and I may be wrong, I haven’t yet seen, or even read a synopsis of, Stephen Ward – but it seems that he has lost the thread somewhere along the line.

The Mary Magdalenes (as in Jesus Christ Superstar) and the Grizabellas (as in Cats) have been forgotten.

I don’t mean the whores – there will, I assume, be plenty of that in Stephen Ward (how could there not be when he was, by profession, a pimp?) (one of the up-market ones, bien sur; me, I have always preferred the more earthy ones, bastards you know where you are with).

No, I don’t mean the whores, I mean the outsiders, the ageing beauties, the ex-whores, indeed all those who when they pass their use-by date are cast aside “like flowers of the field”.

This thought came to me when I read these two articles. Read them now – please – before going on. This one from The Guardian (which is admirable) and this one from The Daily Mail (which is the usual tripe). But read both to get the full picture..

Who was “the Glamour Cat”? Who was the femme fatale who had affaires with  John Profumo, the secretary of state for war in Harold Macmillan’s government, and the Russian naval attache, Yevgeny Ivanov, and brought down a government?

And who is now the shunned outsider?

Lloyd Webber should be seen with his arm round Christine. “Touch me! It’s so easy to leave me all alone with my memory of my days in the sun …”

It is indeed.

But now, apparently, it is just the silly and superficial (and rich) who count.

Or perhaps it is simply that Christine Keeler (unlike Mandy Rice-Davies and Stephen Ward) is not and never was “one of us”.

(Not so different from what I am usually on about, actually, now I look back over it.)

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