It is 1909 still (as it was during Sister Beneath the Sheet – see also Dead Man Riding) and Nell is in London, having recently completed her second prison term that year for “suffragetting” – taking Direct Action against the all-male government elected by the all-male voters.
At a meeting of the “suffrage prisoners support committee” she is collared by Bernard Shaw and talked into sticking close to, and doing her best to protect, Isabella Flanagan, Lady Penwarden, whom he believes to be in danger from her husband, Lord Penwarden.
What is Shaw’s interest? Bella – Isabella Flanagan, her own name, the name she performs under – is the leading lady in Shaw’s new play, Cinderella, which takes up the tale of Cinderella five years after her marriage to prince Charming, by which time she has had more than enough of him and is desperate for a dovorce. It was written specially for her, because she is in that same position, desperate for a divorce from Lord Penwarden, but owing to the archaic divorce laws quite unable to obtain one. This is airing the aristicracy’s dirty linen in public, which is just up Shaw’s street; it also brings him once again into a head-on collision with the Lord Chamberlain and the theatrical performace licensing laws, something Shaw always enjoys.
Lord Penwarden is, predictably, not amused.
I am not going to spoil it by telling you what happens, but I must say that having Shaw as a character in a story was an ambitious undertaking, and a less gifted author might have put words in his mouth that would have him rising up out of his grave and coming to haunt her. However, Gillian Linscott does him – and us – proud. He could – he would, I am sure – have said almost exactly what she has him say were he to find himself in the situations she places him in. (Ah, the god-like power an author has!)
I love all these books, but for a Shaw fan (and sometime Shaw-scholar) like myself this was a special treat.